Thursday, August 27, 2009
Tooth Ache Months After Filling
The Descent: Trailer
With the help of Polo Menéndez (publishing), Joseph Martin (grading), Christopher Garrido (typography) and Ginés Carrión (music), have written this one minute trailer of what will Descent. I hope you enjoy this trailer and they leave a good impression until we finish the postproduction of the project and try it out. We tried to reflect the spirit of the film in it, but to be honest, we have made the most powerful images for the final result. Hope you like and above all, give the widest possible dissemination. Thanks for your support!
Sunday, August 9, 2009
Free Clipart For Retirement
Two Feet Under: Lectures on the life and death
recent years has proliferated the idea that American television live their golden age. It has been compared to the series to film and literature, fiction placing sponsored under the baton of the boob tube at a threshold above both arts. Although comparisons are odious, if it is true that talents such as JJ Abrams , David Chase, Matthew Weiner or David Simon have found a place on television to develop stories that would be impossible to carry the big screen or paper format. One of these talents, Allan Ball is responsible for it is without doubt one of the best series in the history of contemporary television. For five seasons, A Six Feet Under (Six Feet Under ) has been synonymous with uninhibited television, fiction devoid of barriers and absolute creative freedom.
The genius of the series is based on a formula crystal: the mixture of talent writer with a carefully staged (the series has a director with names the likes of Michael Cuesta or Rodrigo García ), some interpretations of removing the hiccups and a strong imprint of the author. And is that brand This series is based on an inexplicable mixture between tragedy and humor. The story revolves around the responsibility of a funeral home, a family business that seems to lose the reins when the accidental death occurs parent in the pilot episode. Each installment begins with a tragic death and (sometimes) ridiculous. From that time (followed by an obituary and a hypnotic credits), the plot concerns the relationship between the deceased and the Fisher family. Six Feet Under is brave and not afraid when talking about homosexuality, the family beyond the idyllic American idea, and overcoming fear of death, mental illness ...
The thematic arc of the series is infinite, which makes the fiction of Alan Ball become something like a lecture about life. The series is a perfect circle where the evolution of the characters over five years leads us to be part of a recognized university and meet the characters as if they were alive, as if they were part of our lives. It is indescribable the feeling of the viewer when it comes the climax of the series. The last three episodes of season five rub the expertise and the end does not disappoint the follower of Six Feet Under . About a week ago I saw Everyone's Waiting, the last chapter, and still costs me to get rid of the idea of \u200b\u200bmelancholy and sadness, I'm not sure if the excitement of the final six minutes, or the culmination of the series. Already said Hernán Casciari , we are probably at the best season finale of all time. We will never forget David, Nate, Ruth, Brenda, Claire, Lisa, Keith, George, Rich ... because we are taught to look forward, to follow the road towards the future, to look back with nostalgia, and ultimately, to take every second of our lives.
recent years has proliferated the idea that American television live their golden age. It has been compared to the series to film and literature, fiction placing sponsored under the baton of the boob tube at a threshold above both arts. Although comparisons are odious, if it is true that talents such as JJ Abrams , David Chase, Matthew Weiner or David Simon have found a place on television to develop stories that would be impossible to carry the big screen or paper format. One of these talents, Allan Ball is responsible for it is without doubt one of the best series in the history of contemporary television. For five seasons, A Six Feet Under (Six Feet Under ) has been synonymous with uninhibited television, fiction devoid of barriers and absolute creative freedom.
The genius of the series is based on a formula crystal: the mixture of talent writer with a carefully staged (the series has a director with names the likes of Michael Cuesta or Rodrigo García ), some interpretations of removing the hiccups and a strong imprint of the author. And is that brand This series is based on an inexplicable mixture between tragedy and humor. The story revolves around the responsibility of a funeral home, a family business that seems to lose the reins when the accidental death occurs parent in the pilot episode. Each installment begins with a tragic death and (sometimes) ridiculous. From that time (followed by an obituary and a hypnotic credits), the plot concerns the relationship between the deceased and the Fisher family. Six Feet Under is brave and not afraid when talking about homosexuality, the family beyond the idyllic American idea, and overcoming fear of death, mental illness ...
The thematic arc of the series is infinite, which makes the fiction of Alan Ball become something like a lecture about life. The series is a perfect circle where the evolution of the characters over five years leads us to be part of a recognized university and meet the characters as if they were alive, as if they were part of our lives. It is indescribable the feeling of the viewer when it comes the climax of the series. The last three episodes of season five rub the expertise and the end does not disappoint the follower of Six Feet Under . About a week ago I saw Everyone's Waiting, the last chapter, and still costs me to get rid of the idea of \u200b\u200bmelancholy and sadness, I'm not sure if the excitement of the final six minutes, or the culmination of the series. Already said Hernán Casciari , we are probably at the best season finale of all time. We will never forget David, Nate, Ruth, Brenda, Claire, Lisa, Keith, George, Rich ... because we are taught to look forward, to follow the road towards the future, to look back with nostalgia, and ultimately, to take every second of our lives.
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